The Writing Capelet, Part II: Colour work

afmaeli composite png.pngafmaeli cape 1-1-1If you recall last week’s post, I recently tried (and failed) to design a DIY capelet. As you can see above, a new capelet has been designed and is done. It had its very first outdoor wear during a recent trek through the woods. The day’s ample sunlight also provided the perfect opportunity to capture some of the capelet’s colours. The next step is to don it during a proper indoor writing session; I hope this garment will help me to produce many words.

A big thanks to Andrew for the photo help and company on the hike, and a big thank you to Donna at Yarnify! (my not-so-local LYS) who helped me choose the green you see here (Cascade 220 in the Lake Chelan colourway).

If you feel inclined, I’ve included some sections on the capelet’s making and design process below (a few more details can be found on the project’s Ravelry page).


The Idea: A Garment Mashup

After frogging my first try at this garment, I took to Ravelry for ideas. I came across the classic Afmaeli sweater and knew that I had to use this yoke pattern (I have been swooning over it for more than a year). Not long after, I came across the Boden and Sweetie Pie capelets, respectively.  Working from the reference pictures, I decided to combine the three garments’ different design elements: the Afmaeli yoke, the hemline and fit of the Sweetie Pie, and Boden’s loose and flattering neckline.

capelet composite
Left: Afmaeli © Istex;   Top right: Boden © Nice and Knit;   Bottom right: Sweetie Pie © Loop Knitting Ltd.  Image Source: Ravelry.

Adapting the Afmaeli Yoke 

To adapt the Afmaeli yoke for capelet purposes, I started by noting that the yoke’s colourwork chart uses a pattern that repeats over 16 stitches. I made sure, then, to choose a stitch-count that was a multiple of 16 (a trick I picked up while reading Andrea Rangel’s Alterknit Stitch Dictionary). I was knitting with worsted weight at a gauge of 19 sts over 4″ / 10 cm. At my gauge, my magic number was 192 sts. This would produce a cape-width of around 40″ around the hemline.

Modifying the Yoke Decreases

I first assumed that I could work the Afmaeli yoke exactly as the pattern directs to produce a capelet, but I came to learn that these aren’t interchangeable! Because I was working fewer stitches than the actual sweater-pattern called for (16 sts fewer, to be exact), working the original pattern ended up producing a triangular, funnel-like, neckline, rather than one that fell neatly on the shoulders. “Icelandic funnel” was not quite the look I was going for.

I frogged the latter half of the yoke and found that it worked best to perform the cape’s decreases at 2 critical points: a) 1 row of evenly spaced decreases, a few rows into the stranded yoke (as directed by the pattern), and b) successive rows of decreases over, roughly, the last 7 rows of the yoke before the neckline. This produced a much better shape: the cape begins to ‘taper in’ only where it’s needed, on the shoulders (no funnel!).

With 84 sts remaining, I finished off the neckline by working 2 rows of purl, then ~5 rows of k1 p1 ribbing. Regular bind off in-pattern.

Modifying the Colourwork Chart

Because I decided to bypass some of the original pattern’s yoke decreases (to keep the width of the capelet more or less constant until the shoulder decreases, as described above), I ended up with more stitches on my needles than the pattern called for on the last few rows of the yoke. This is the area of the yoke where the tiny ‘tulips’ are. The original tulip-pattern called for a 12-stitch repeat; at that point, my stitch-count was still a multiple of 16.

My stitch-surplus required a little bit of tinkering with the chart. Using Stitch Fiddle, I adapted Afmaeli’s original 12-stitch tulip-repeat by adding 4 extra stitches to make a 16-stitch repeat. This little bit of problem-solving was lots of fun.

Afmaeli chartI did have a blunder (or two) working my tulip pattern, however. Two tulips at the beginning of the round, in particular, had some trouble making the transition into the new version of things.

afmaeli cape 6 closeup.jpg

The one on the left seems to have started melting, and the tulip on the right has decided to break into full on Pacman mode. It’s ok. They’ll stay that way.

A final thought on blocking 

Recall that a common source of stranded knitting trepidation comes from the very real potential for puckering. As I was working, this anxiety seemed all but confirmed. There was plenty of pucker apparent on the WIP, especially at the transition where the colour work led to a section of regular knitting. Stranded knitting does tend to knit up tighter than straight stockinette:

afmaeli poncho WIP.jpg
This looks like smocking.

I charged ahead, however. I am glad for it: a lot of that apparent pucker came out after blocking! I performed a light steam block with a coloursafe cloth over the steam iron (and some light, low-heat pressing on the colour work). It was eye-opening to see just how much steam alone relaxes stitches and evens out the fabric. Until blocking happens, apparently, what you see is not quite what you get in the realm of stranded knitting (I imagine that a full wet block might have evened out the fabric even more).


Phew. Between the mods, the frogging, the work on tensioning, and experimenting with different yarn holds, this capelet-mashup was a knitting workout! There was a lot of trial and error (and more error). And, it helped to treat the mistakes with a light touch. Knitting, after all, is partly the business of providing others and oneself with a little warmth and comfort; the process ought to mirror the product, no?

I hope that this week, however the weather, finds you enjoying something fun – project or otherwise!

Do you have a favourite DIY design garment? I’d love to hear about your design adventures in the comments!

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