1st week of Spring: thinking about process and play

I hope you’ve enjoyed a great week.

This week has been a bit busy on my end: there have been a few unexpected (time-consuming) things to attend to at home and, of course, the larger academic project I’m working on. But, it hasn’t been so busy that I did not find time to play with my doll patterns, felt, and flosses.

Beyond all language and metrics of productivity, the time I spend making dolls / making things for the dolls is essentially that: play. In contrast to my recent knitting projects (where I had a clear pattern to work, directions to follow), a lot of my doll-crafting time feels a bit like a state of suspension – with the work being invented as I go, I feel my grip on goal-direction loosen and lose its unilinear quality: many solutions to problems or dilemmas crop up, or work themselves out over a week or two after playing with and testing out different alternatives. In this state, crafting feels both hazy and focused. On the one hand, working feels like walking through dreams – like being given license to wander and explore, precisely because so many things are possible. At the same time, my usual sensitivities become a bit more acute, acuity sharpens (mostly for the better!). I’d like to write a longer post on my thoughts on this process, but for the time being, I’ll say that recovering a space and sense of play and open-endedness (design!) is becoming a major route to enabling my creativity and well-being (no big surprise there, perhaps!).

I’ve also taken, recently, to using notebooks as little homes to organize ideas for different crafting media. It’s nice to have separate, offline spaces for collecting, gathering, sketching, diarizing, and jotting down. For me, it’s otherwise easy for various projects to get jumbled up (and meld into an overwhelming mega-project), or for me to forget that perfect idea that came in the shower. I’m not a multi-tasker, but more of a serial single-tasker (and I very much struggle with making the transitions in between). Hence, the need for little homes where the different ideas can find kinship, cross-pollinate, and lead a happy existence until I’m able to properly attend to them. Taking out one of these books and putting it on my one-and-only work desk also signals to me that I’m entering the zone for that particular project. When space is limited, these books help me to set the tone and intention for a work session.

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Let’s not let the best ideas get tangled up like that floss: the orange book is for doll-making & blogging, the white one for knitting, and the black one for drawings.

And, on the doll front…

Last week, I bought some extra skeins of floss and, having learned some lessons from the previous project, a set of doll needles (just saying that brings me a flicker of excitement).

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The bigger doll needles in the set measure 3 inches (compare with the regular hand-sewing needle above). Doll needles are long, ample-eyed, and are super for stitching through multiple doll parts and fabric-layers with thick, heavier-duty thread. They make the sewing of classic doll button joints, for instance, 1000 times easier.

In that arena, it looks like last week’s deer-friend is anticipating some company.

2nd deer1-2

You know, after all, what they say about March: it comes in like a lion, and goes out like a… doe (that’s the saying, right?).

Looking forward to catching up with your creative goings on, and wishing you a great Easter / weekend!

How do you organize your work on multiple media and/or projects? (notebooks, schedules, workspaces, other methods?). And, do you distinguish between work on patterns designed and generated by others, and those you design yourself?