6 super quick (and free) mini-stocking patterns to knit

Happy Wednesday. I hope your week is going well. This is a repost from 2017 (time flies!) that is for the holiday knitters — a review of 6 different mini-stocking patterns for your holiday crafting pleasure. These patterns are all free, knit up in a pinch, and as far as I’ve checked, are still available on Ravelry (save for #6 which was taken from a book). Enjoy!


The past week has found me getting my holiday knit on, combing through Ravelry’s collection of mini-stocking patterns and trying my hand at a few. My usual writing table has been temporarily transformed into a workshop strewn with yarny bits, coloured pencils, the odd DPN, and darning needles which tend to roll into their favourite hiding place: under all of the other mess. I now appreciate the true meaning of trying to find a needle in a ribbon-paper-and-tape stack.

But. If you’re pressed for time and are looking for a last-minute holiday knit, I’ve found that mini-stockings work well. The patterns are easy and can be worked + finished up in an evening (I am a slower knitter, so the speedy-stitchers among you could zip one off in no time).

The Patterns

I worked 6 different patterns.

sock FO 3 -
stocking 5.jpg

1) Gemma Towns’ Mini Christmas Stockings  turned out to be my favourite pattern of the lot. Striping, a contrast colour on the cuff, heel and toe, and ample space for stuffers — what’s not to like? Worked on DPNs, the heel is shaped through a series of short rows. Quick Kitchener-stitch to graft that toe. Easy peasy.

2) Kat Mcab’s Small Holiday Stockings are a fun take on the mini-stocking, and they knit up really fast with minimal finishing. The stocking is worked in the round and is shaped with a set of increases. The simplicity of this pattern allows you to personalize or customize it easily. Only the bottom of the stocking requires a quick seam: a kitchener stitch graft or a 3-needle bind-off.

3) Jean Greenhowe’s pattern for Mini Christmas Stockings is worked flat. The stocking is shaped through increases, and the seam is sewn up the ‘back’ (the right side of the ornament in the picture). I thought that this pattern made for the most traditional ‘stocking’ shape, but am discovering that I’m a bigger fan of DPNs than I am of seams! This pattern walks you through different variations for colours and striping.

4) Juliet Bernard’s Christmas Stockings are quite special: worked on DPNs, they feature a ribbed cuff, some variations of easy colour work to choose from, and a full slip-stitched heel and gusset. If you’re looking to bring some 3-D sock-realism to your holiday decor, this pattern is it!

mini stockign WIP.png
Gusset realness!

5) Beverly Leestma’s Mini Knit Stockings are worked flat, include short-rows for heel-shaping, and are seamed along the front of the stocking. This pattern produced the tiniest of the stockings (a mere 2.5″ from heel to cuff when using worsted weight and size 6 US needles). The pattern has variations for striping and working heel & toe contrast colours.

…and 6) comes from the pages of Joelle Hoverson’s Last-Minute Knitted Gifts(2004) – the Sweater and Stocking Minis pattern. True to its word, the book provides a range of 11th-hour knits. This one is under the category of “2-hour projects.” It knit up so fast, I was able to finish the stocking in the library and did not need to bring the pattern book home with me (there is a lovely room in the library with a high, domed ceiling, a real fireplace, and huge windows that let all the light in. It is perfection for knitting). This one knit up the lumpiest, though – my mistake: the heel uses a few yarn-overs during the short-rows and my attempt to close up all the holes while finishing up left some bumps in the fabric. Lesson learned.

…and I-Cord Hangers

When attaching hangers to the stockings, I first tried a crochet slip-stitch chain, but found this flimsy and shapeless (see stocking #2 above). What my heart desired (and what it got) was an i-cord loop. I-cords are so much fun to make! They make for a very sturdy hanging loop for heavier things, too (if you’re interested, you’ll find a tutorial for making a 2-colour i-cord at the end of the post).

For each ornament, I worked a 2-colour 4-stitch i-cord on size 2 DPNs, then sewed the ends together to make a loop.

I-cord composite
Making an I-cord: just 4-stitches slid along a DPN produces a sturdy column of stockinette.

I attached the loops to the stocking corners, and with that, a first batch of stockings was ready!

ornaments 3.jpg

What do you think of these different patterns? Are you putting in the last stitches on a project or two? I hope that this week finds you warm and well, and recharging your holiday energies wherever and whenever you can.

The road lace traveled

Hello friends, makers, and creators of WordPress. After a 3 month hiatus from blogging, I’m hoping to get a semi-regular posting habit going again. Although I haven’t been as active blog-wise this year, I have been reading and enjoying your posts. Your collective creativity sustained my imagination during my own blogging dry spell, and reading your stories and updates inspires me to come back to making, reflecting, and writing again — the lather, rinse, repeat of creativity (like, in a good way).

One happy update: earlier this summer, I tied the knot with my partner and best friend of 9 years! We enjoyed a sunny day and a simple, symbolic ceremony outside of Chicago on a grassy patch by a lake. We were grateful for fluffy clouds across a blue Midwestern sky and the loving company of close friends and family.

So. While planning, one thing I definitely wanted to do for the day was to wear a handmade garment. Having read about traditions of lace-making in The Book of Haps a year ago, my mind was full of lace-shaped dreams. I love the way lace catches light and drapes and moves and makes shadows. I was also resolved to take my lace skills to the next level. I decided, last Spring, that I’d make myself a shawl.

I chose a sport weight baby blue alpaca (as my LYS-lady said, alpaca’s got a natural “glow”) and selected a pattern that looked challenging but also possible for me: Jessie Dodington’s Dinner in the Eiffel Tower shawl. It’s a beautiful crescent-shaped cover, inspired by the famous tower’s criss-cross lattice structure. I was excited, enthused, pumped on wedding-planning adrenaline, and on my way…

© Jessie Dodington

But, because mistakes are inevitable…

I realized, early on, that I needed to devise my own way of dealing with lace-making mistakes in order to avoid past (disappointing) experiences of frogging-the-whole-darn-thing. With the later rows reaching 265 stitches, this became all the more important! Since the lattice section of the shawl relied on a pattern that repeated every 7 stitches, I “pre-knit” each row by weaving a line of yarn in between stitches to mark every 7-stitch repeat. This marking method helped me to “see” where each repeat was going to occur before physically knitting the row out. When I did, inevitably, make a mistake, this method also helped me to see where in the knitting the mistake happened, making correcting it 1000 times easier. It was time-consuming, yes, but this method was my own little eureka! moment of lace-knitting; it got me through the project and showed me that, with a little extra planning, more lace-making is possible in the foreseeable future.

As usual, when the shawl first comes off the needles, it’s a crumpled up, non-shawl-looking thing. The structures of lace come alive on the blocking board.

Pictures!

On the blocking board.
Out where lace loves to live: under the sun.

Just revisiting these pictures from earlier this summer fills me with a sense of lace-lover’s magic all over again.

Ok. That is all the news for now. Wishing you a restful weekend and an exciting, productive week!

Lace lessons: the Leticia Shawl

After a month and a few days of (slow) knitting, the Leticia shawl is done!

leticia - back.jpg

leticia - side.jpg
leticia - composite.png

Designed by Reiko Kuwamura, Leticia is a crescent-shaped shawl that is worked in sport weight in 2 stages: the shawl begins with a lace border, followed by the reverse stockinette ‘body,’ shaped using German short rows. The ‘sheerness’ of the shawl is achieved by a technique called ‘condo knitting,’ or working garter or stockinette using two very different sized needles on alternating rows (the mix of little loops and big loops = fun see-through fabric that is super easy to make!).

leticia - condo knitting.jpg
Condo knitting (US 6 and US 11).

This marks my very first introduction to lace-knitting, and I found the pattern excellent and very straightforward. It includes a video short rows tutorial, as well as a formula-page for re-adapting Leticia to any size. If you want to liberate your inner lace-knitter, Leticia is the one (I now need to do more lace, very soon).

As seasoned lace-knitters know, lace needs to be blocked. As a lace newbie, however, I was unaware of just how huge the difference between pre-blocked FO and blocked FO can be! I thought I’d share some first-time thoughts on the lace-blocking process below.

Pre-blocked underwhelm

When the shawl first came off the needles (following a bind-off which took an hour and a half), I was a little underwhelmed. This “finished object” looked nothing like the nice Ravelry pictures. It had no drape; I couldn’t make out the crescent shape; it was puckering at the ends; and the lace edging was curled up and indiscernible. In fact, it looked so different from what was expected that I considered re-doing the shawl in a different needle size, worried as I was about that puckering (whose origins baffled me).

Leticia - unblocked.jpg

As you can see, the shawl looks about as wearable as a deflated balloon that has lost all of its air and has just hit the pavement (which was kind of the state of my heart after casting off and realizing this was the product of a month’s work).

I held off on any rash decisions, though. I could hazard a frogging, I told myself, but only after giving blocking a try. Lace teaches one to keep hope alive.

Blocking : Stitches in Suspense 

In my pre-blocked-lace dismay, I decided to use points on a rewards card to get 9 bona fide blocking boards and a set of T-pins. My usual “pin to the ironing board” methods were just not going to cut it with the Leticia shawl: it had an over 5-foot ‘wingspan’ and picot-edging with 105 ‘points’ that needed to be pinned out for shape!

I started by pinning portions of the top of the shawl in a straight line, tugging and pinning the shawl down at every other picot (not enough pins to do them all). The garment started to take shape, relaxing from its curled up state into a symmetrical, pucker-free form.

I ended up short by a single 12″ x 12″ blocking square. I blocked the rest of the shawl, left that section behind, then re-wetted and pinned it down after the first portion was dry. Having a modular board that was easily re-arrangeable was key. Apparently, this worked ok (excuse the blurry pictures):

leticia - partial block composite.jpg

The difference between pre-blocked and blocked Leticia is like night and day. It was a marvelous feeling to take the fresh-blocked garment off the boards after a day or two and see it hold a completely different shape: the lacework edging had opened up, the shawl was ‘breathing’ and beautifully sheer, and instead of curled up, it was soft drape-y magic!

Learning lace, I’m realizing, is certainly a good lesson in patience–the hours of stitching are rewarded by still more days of pinning out and waiting. But, it is also a lesson in  transformation. Or, better yet, revelation, with all of the magic, surprise, and unexpected emergence of the extraordinary that the word suggests. In the realm of lace, what you see is not quite what you get!

You can read more random notes on the knitting process on my Leticia Ravelry project page. Thanks for reading!

Do you love lace? Or have any memorable lace projects? Do tell!

cropped-header-test-627.png

 

Worldwide Knit in Public Day + a little lace

World Wide Knit in Public Day
Image source: wwkipday.com

Hello. I hope the start of June finds you well! This is probably old hat to the seasoned knitters, but first things first: this Saturday, June 9th is Worldwide Knit in Public Day (WWKiP). Started in 2005, this annual event is the largest knitter-run gathering on the globe. The idea is to join up and meet your local, fellow-knitters for some quality stitching time. Given the often solitary nature of a craft that is mostly performed in (and commonly relegated to) “private” spaces and spheres, WWKiP brings fiber arts into public space and gives crafters a chance to meet/reunite with like-minded folks, share some tips, and enjoy some community-building through the fiber arts.

WWKiP has been steadily growing over the years, with 1125 public knitting events around the world in 2017. That’s a lot of public knitting. If the prospect of some quality time with yarn, sunshine, WIPs, and nice people sounds good to you, the WWKiP website has a worldwide directory of events.

I can think of no better way to spend a Saturday afternoon.


Ok. Now for some lace…

I’ve been busy, this month, working my very first lace-knitting project: Reiko Kuwamura’s Leticia shawl.

© Reiko Kuwamura, Image source: Ravelry.com.

This induction into lace-knitting comes late, a little over a year into my return to knitting at the end of 2016. I can see the reasons for this. I was never a lace-wearer myself, and felt it easier to focus, at first, on the “hardy” practical knits – the mitts, the workhorse socks and scarves, a blanket here, a hat there. It has taken time to discover and appreciate this lighter side of knitting. My coming into lace, in other words, is quite like the process of lace-making itself: a little slow-going, and needing time and the right conditions to “open up” (as lace does, only after a good block).

Leticia

Folks, I love this pattern. It is worked in 2 parts: the lace border is worked first (it uses a 4-row repeat and includes a picot edge), and the body of the shawl proper is worked afterwards, by picking up border-stitches. The first step – still in progress – has been lots of fun: after about 30 repeats, I felt I had finally memorized the lace pattern and could safely turn it into TV & podcast knitting with the help of a counter (to track my place in the repeats) and good old paper and pen (to keep track of the number of repeats completed). Very analog.

leticia 1

I love completing the border’s repeats. I can never quite stop at just one – the mind wants another and another, and with that, the lace lengthens.

I love the spidery feeling of working something finer and more delicate than stockinette or garter under my fingers, having the fabric coax my hands into learning a new nimbleness.

And I love the fragile architecture of lace, the way it holds together while letting the light and the air in, as if lace were meant to convey the elements. In the photo above, I’m imagining what it would be to sit underneath a huge lace rooftop or canopy and be mottled by little pools of lace-worked light.

Lacework has captured my imagination!

I hope you are making up a storm this week. Until next time!

 

 

The Writing Capelet, Part II: Colour work

afmaeli composite png.pngafmaeli cape 1-1-1If you recall last week’s post, I recently tried (and failed) to design a DIY capelet. As you can see above, a new capelet has been designed and is done. It had its very first outdoor wear during a recent trek through the woods. The day’s ample sunlight also provided the perfect opportunity to capture some of the capelet’s colours. The next step is to don it during a proper indoor writing session; I hope this garment will help me to produce many words.

A big thanks to Andrew for the photo help and company on the hike, and a big thank you to Donna at Yarnify! (my not-so-local LYS) who helped me choose the green you see here (Cascade 220 in the Lake Chelan colourway).

If you feel inclined, I’ve included some sections on the capelet’s making and design process below (a few more details can be found on the project’s Ravelry page).


The Idea: A Garment Mashup

After frogging my first try at this garment, I took to Ravelry for ideas. I came across the classic Afmaeli sweater and knew that I had to use this yoke pattern (I have been swooning over it for more than a year). Not long after, I came across the Boden and Sweetie Pie capelets, respectively.  Working from the reference pictures, I decided to combine the three garments’ different design elements: the Afmaeli yoke, the hemline and fit of the Sweetie Pie, and Boden’s loose and flattering neckline.

capelet composite
Left: Afmaeli © Istex;   Top right: Boden © Nice and Knit;   Bottom right: Sweetie Pie © Loop Knitting Ltd.  Image Source: Ravelry.

Adapting the Afmaeli Yoke 

To adapt the Afmaeli yoke for capelet purposes, I started by noting that the yoke’s colourwork chart uses a pattern that repeats over 16 stitches. I made sure, then, to choose a stitch-count that was a multiple of 16 (a trick I picked up while reading Andrea Rangel’s Alterknit Stitch Dictionary). I was knitting with worsted weight at a gauge of 19 sts over 4″ / 10 cm. At my gauge, my magic number was 192 sts. This would produce a cape-width of around 40″ around the hemline.

Modifying the Yoke Decreases

I first assumed that I could work the Afmaeli yoke exactly as the pattern directs to produce a capelet, but I came to learn that these aren’t interchangeable! Because I was working fewer stitches than the actual sweater-pattern called for (16 sts fewer, to be exact), working the original pattern ended up producing a triangular, funnel-like, neckline, rather than one that fell neatly on the shoulders. “Icelandic funnel” was not quite the look I was going for.

I frogged the latter half of the yoke and found that it worked best to perform the cape’s decreases at 2 critical points: a) 1 row of evenly spaced decreases, a few rows into the stranded yoke (as directed by the pattern), and b) successive rows of decreases over, roughly, the last 7 rows of the yoke before the neckline. This produced a much better shape: the cape begins to ‘taper in’ only where it’s needed, on the shoulders (no funnel!).

With 84 sts remaining, I finished off the neckline by working 2 rows of purl, then ~5 rows of k1 p1 ribbing. Regular bind off in-pattern.

Modifying the Colourwork Chart

Because I decided to bypass some of the original pattern’s yoke decreases (to keep the width of the capelet more or less constant until the shoulder decreases, as described above), I ended up with more stitches on my needles than the pattern called for on the last few rows of the yoke. This is the area of the yoke where the tiny ‘tulips’ are. The original tulip-pattern called for a 12-stitch repeat; at that point, my stitch-count was still a multiple of 16.

My stitch-surplus required a little bit of tinkering with the chart. Using Stitch Fiddle, I adapted Afmaeli’s original 12-stitch tulip-repeat by adding 4 extra stitches to make a 16-stitch repeat. This little bit of problem-solving was lots of fun.

Afmaeli chartI did have a blunder (or two) working my tulip pattern, however. Two tulips at the beginning of the round, in particular, had some trouble making the transition into the new version of things.

afmaeli cape 6 closeup.jpg

The one on the left seems to have started melting, and the tulip on the right has decided to break into full on Pacman mode. It’s ok. They’ll stay that way.

A final thought on blocking 

Recall that a common source of stranded knitting trepidation comes from the very real potential for puckering. As I was working, this anxiety seemed all but confirmed. There was plenty of pucker apparent on the WIP, especially at the transition where the colour work led to a section of regular knitting. Stranded knitting does tend to knit up tighter than straight stockinette:

afmaeli poncho WIP.jpg
This looks like smocking.

I charged ahead, however. I am glad for it: a lot of that apparent pucker came out after blocking! I performed a light steam block with a coloursafe cloth over the steam iron (and some light, low-heat pressing on the colour work). It was eye-opening to see just how much steam alone relaxes stitches and evens out the fabric. Until blocking happens, apparently, what you see is not quite what you get in the realm of stranded knitting (I imagine that a full wet block might have evened out the fabric even more).


Phew. Between the mods, the frogging, the work on tensioning, and experimenting with different yarn holds, this capelet-mashup was a knitting workout! There was a lot of trial and error (and more error). And, it helped to treat the mistakes with a light touch. Knitting, after all, is partly the business of providing others and oneself with a little warmth and comfort; the process ought to mirror the product, no?

I hope that this week, however the weather, finds you enjoying something fun – project or otherwise!

Do you have a favourite DIY design garment? I’d love to hear about your design adventures in the comments!

cropped-header-test-627.png