More ink practice with darks and lights. Shadowing in comics is, I’m finding, one of the most challenging things to do. There’s a level of committing to the ink that takes a lot of trust. You can tell when a line has been demurely laid down, or not.
I have a feeling I should start studying Ingmar Bergman film-stills…
Understated and elegant in its simplicity. I look forward to seeing more long form work.
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Thanks, Mark. 🙂
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You captured a lot of emotion with this one. It keeps pulling me back because the expression and posture could apply to a few different feelings he might be having.
Shine on, Shirley!
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Thanks for commenting, Teagan! I always wonder what the minimum amount of drawing is required to convey a thing—something I imagine applies to writing, too 🙂
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